Description
It is surprising that there has been comparatively little written so far about Arvo Pärt (b. 1935), since he is one of the most influential and widely performed contemporary composers and has written music in a wide variety of genres. There is currently only one book in English devoted exclusively to Pärt’s music (Hillier: Arvo Pärt, 1997). It is truly extraordinary that the only other information and critical engagement with Pärt’s music comes from short articles and some unofficial websites.
This Companion aims to redress the balance. The collection maintains an appropriate level of academic writing and critical engagement with the material but at the same time is of sufficient interest to a broad audience and written in a style comprehensible to the general reader.
This work is pioneering on five counts: first, it makes a important addition to Pärt studies providing much needed perspective on the composer and his music; second, it makes a significant contribution to discussions about spirituality in music; third, it uses and develops cross-disciplinary methodologies drawing on media studies, theological studies and different analytical approaches to music; fourth, by working on issues of interpretation, it endeavors to bridge the traditional gap between scholars and performers; and fifth, it addresses directly the largest group of people who come across Pärt’s music: the audience. By providing a comprehensible book that combines examination of his musical style with analyses of major works, it endeavors to help people listen to his music with spirit and understanding.
Contents
The volume includes essays by leading Pärt scholars such as Jeffers Engelhardt (Amherst College), Leopold Brauneiss (University of Vienna), Laura Dolp (Montclair State University) and Benjamin Skipp (Oxford University). It also includes new source material from the composer published for the first time in English along with complete information on his chronology and works list, and a comprehensive bibliography.
Table of Contents
Chronology
1 Introduction: the essential and phenomenal Arvo Pärt
Andrew Shenton
2 A narrow path to the truth: Arvo Pärt and the 1960s and 1970s in Soviet Estonia
Immo Mihkelson
3 Arvo Pärt after 1980
Jeffers Englehardt
4 Musical archetypes: the basic elements of the tintinnabuli Style
Leopold Brauneiss
5 Analyzing Pärt
Thomas Robinson
6 Arvo Pärt: in his own words
Andrew Shenton
7 Bells as inspiration for tintinnabulation
Marguerite Bostonia
8 Arvo Pärt and spirituality
Robert Sholl
9 The minimalism of Arvo Pärt: an ‘antidote’ to modernism and multiplicity?
Benjamin Skipp
10 Arvo Pärt in the marketplace
Laura Dolp
Appendices
A Radiating from silence: the works of Arvo Pärt seen through a musician’s eyes
Andreas Peer Kähler
B Greatly sensitive: Alfred Schnittke in Tallinn
Arvo Pärt
C Remebering Heino Eller
Arvo Pärt
D Acceptance speech for the International Bridge Prize of the city of Görlitz
Arvo Pärt
E Acceptance speech given for the Léonie Sonning Music Prize 2008
Arvo Pärt
Bibliography
The Companion is due to be published by Cambridge University Press in early 2012. Further details will be posted here as they become available.
Information can also be found on the CUP web site.